| Interactive Music Notation & Representation | | BIBA | Full-Text | Call for Participation | 1 | |
| Jean Bresson; Pierre Couprie; Dominique Fober; Yann Gueslin; Richard Hoadley | |||
| Practice-based Research and NIMEs | | BIBA | Full-Text | Workshop Website | 2 | |
| Ernest Edmonds; Samuel Ferguson; Andrew Johnston | |||
| A NIME Primer | | BIBAK | SWYZTQ | Workshop Description | 3 | |
| Michael Lyons; Sidney Fells | |||
| Human Harp | | BIBA | Full-Text | Web Page | 4 | |
| Di Mainstone; Adam Stark; Becky Stewart | |||
| Learning to Programme Haptic Interactions | | BIBA | Full-Text | Workshop Details | 5 | |
| Edgar Berdahl; Alexandros Kontogeorgakopoulos | |||
| NIME & Accessibility | | BIBA | PXHPTF | 6 | |
| Conor Barry; Nick Bryan-Kinns; Fiore Martin; Oussama Metatla; Sile O'Modhrain; Tony Stockman; Adam Parkinson | |||
| Sonic Bikes | | BIBA | Full-Text | 7 | |
| Dave Griffiths; Kaffe Matthews | |||
| Keyboard Salon: Connecting Instrument Designers and Artistic Practitioners | | BIBA | Full-Text | Workshop Details | 8 | |
| Andrew McPherson; Thomas Walther; Xiao Xiao | |||
| Musical Metacreation Tutorial (MUME) | | BIBA | Full-Text | Workshop Details | 9 | |
| Oliver Bown; Arne Eigenfeldt; Philippe Pasquier | |||
| NIME, Musicality and Practice-led Methods | | BIBA | Full-Text | 10 | |
| Owen Green | |||
| Hybrid Resonant Assemblages: Rethinking Instruments, Touch and Performance in New Interfaces for Musical Expression | | BIBA | Full-Text | 11 | |
| John Bowers; Annika Haas | |||
| Examining the Perception of Liveness and Activity in Laptop Music: Listeners' inference about what the performer is doing from the audio alone | | BIBA | Full-Text | 12 | |
| Oliver Bown; Renick Bell; Adam Parkinson | |||
| Improvising with the Threnoscope: Integrating Code, Hardware, GUI, Network, and Graphic Scores | | BIBA | Full-Text | 13 | |
| Thor Magnusson | |||
| Instrumenting the Interaction: Affective and Psychophysiological Features of Live Collaborative Musical Improvisation | | BIBA | TAFVGT | 14 | |
| Evan Morgan; Hatice Gunes; Nick Bryan-Kinns | |||
| Augmented Stage for Participatory Performances | | BIBA | TAKPKL | 15 | |
| Dario Mazzanti; Victor Zappi; Darwin Caldwell; Andrea Brogni | |||
| Touch Screen Collaborative Music: Designing NIME for Older People with Dementia | | BIBA | Full-Text | 16 | |
| Stu Favilla; Sonja Pedell | |||
| SoundXY4: Supporting Tabletop Collaboration and Awareness with Ambisonics Spatialisation | | BIBA | RIGWPO | 17 | |
| Anna Xambó; Gerard Roma; Robin Laney; Chris Dobbyn; Sergi Jordà | |||
| Experio: a Design for Novel Audience Participation in Club Settings | | BIBA | RIKZQT | 18 | |
| Bastiaan van Hout; Luca Giacolini; Bart Hengeveld; Mathias Funk; Joep Frens | |||
| TreeQuencer: Collaborative Rhythm Sequencing -- A Comparative Study | | BIBA | Full-Text | 19 | |
| Niklas Klügel; Georg Groh; Gerhard Hagerer | |||
| Low-Latency Audio Pitch Tracking: A Multi-Modal Sensor-Assisted Approach | | BIBA | RIGUOS | 20 | |
| Laurel Pardue; Dongjuan Nian; Christopher Harte; Andrew McPherson | |||
| The Actuated guitar: Implementation and user test on children with Hemiplegia | | BIBA | Full-Text | 21 | |
| Jeppe Larsen; Thomas Moeslund; Dan Overholt | |||
| Visualizing Song Structure on Timecode Vinyls | | BIBA | Full-Text | 22 | |
| Florian Heller; Jan Borchers | |||
| Optical Measurement of Acoustic Drum Strike Locations | | BIBA | Full-Text | 23 | |
| Janis Sokolovskis; Andrew McPherson | |||
| Techniques in Swept Frequency Capacitive Sensing: An Open Source Approach | | BIBA | Full-Text | 24 | |
| Colin Honigman; Jordan Hochenbaum; Ajay Kapur | |||
| | BIB | Full-Text | 25 | ||
| | BIB | Full-Text | 26 | ||
| Dynamics in Music Conducting: A Computational Comparative Study Among Subjects | | BIBA | QPZYZB | 27 | |
| Alvaro Sarasua; Enric Guaus | |||
| Triggering sounds from discrete air gestures: What movement feature has the best timing? | | BIBA | Full-Text | 28 | |
| Luke Dahl | |||
| The Composing Hand: Musical Creation with Leap Motion and the BigBang Rubette | | BIBA | TAFMJL | 29 | |
| Daniel Tormoen; Florian Thalmann; Guerino Mazzola | |||
| Harmonic Motion: A toolkit for processing gestural data for interactive sound | | BIBA | Full-Text | 30 | |
| Tim Murray-Browne; Mark Plumbley | |||
| To gesture or not? An analysis of terminology in NIME proceedings 2001-2013 | | BIBA | Full-Text | 31 | |
| Alexander Refsum Jensenius | |||
| Manhattan: End-User Programming for Music | | BIBA | Full-Text | 32 | |
| Chris Nash | |||
| The Divergent Interface: Supporting Creative Exploration of Parameter Spaces | | BIBA | Full-Text | 33 | |
| Robert Tubb; Simon Dixon | |||
| A Methodological Framework for Teaching, Evaluating and Informing NIME Design with a Focus on Mapping and Expressiveness | | BIBA | Full-Text | 34 | |
| Sebastian Mealla; Sergi Jordà | |||
| Rapid Creation and Publication of Digital Musical Instruments | | BIBA | Full-Text | 35 | |
| Charlie Roberts; Matthew Wright; JoAnn Kuchera-Morin; Tobias Hollerer | |||
| TrAP: An Interactive System to Generate Valid Raga Phrases from Sound-Tracings | | BIBA | TACPXW | 36 | |
| Udit Roy; Tejaswinee Kelkar; Bipin Indurkhya | |||
| Rich Contacts: Corpus-Based Convolution of Contact Interaction Sound for Enhanced Musical Expression | | BIBA | Full-Text | 37 | |
| Diemo Schwarz; Pierre Alexandre Tremblay; Alex Harker | |||
| Making the Most of Wi-Fi: Optimisations for Robust Wireless Live Music Performance | | BIBA | Full-Text | 38 | |
| Thomas Mitchell; Sebastian Madgwick; Simon Rankine; Geoffrey Hilton; Adrian Freed; Andrew Nix | |||
| Simplified Expressive Mobile Development with NexusUI, NexusUp, and NexusDrop | | BIBA | RIDWRU | 39 | |
| Benjamin Taylor; Jesse Allison; Daniel Holmes; William Conlin; Yemin Oh | |||
| Communication, Control, and State Sharing in Collaborative Live Coding | | BIBA | Full-Text | 40 | |
| Sang Won Lee; Georg Essl | |||
| A Simple Architecture for Server-based (Indoor) Audio Walks | | BIBA | Full-Text | 41 | |
| Thomas Resch; Matthias Krebs | |||
| Ping-Pong: Musically Discovering Locations | | BIBA | Full-Text | 42 | |
| Hyung Suk Kim; Jorge Herrera; Ge Wang | |||
| CloudOrch: A Portable SoundCard in the Cloud | | BIBA | Full-Text | 43 | |
| Abram Hindle | |||
| AudioQuilt: 2D Arrangements of Audio Samples using Metric Learning and Kernelized Sorting | | BIBA | Full-Text | 44 | |
| Ohad Fried; Zeyu Jin; Reid Oda; Adam Finkelstein | |||
| Probabilistic Models for Designing Motion and Sound Relationships | | BIBA | RIHYLC | 45 | |
| Jules Françoise; Norbert Schnell; Riccardo Borghesi; Frédéric Bevilacqua | |||
| Musical Instrument Mapping Design with Echo State Networks | | BIBA | Full-Text | 46 | |
| Chris Kiefer | |||
| Funky Sole Music: Gait Recognition and Adaptive Mapping | | BIBA | RIGSVM | 47 | |
| Kristian Nymoen; Sichao Song; Yngve Hafting; Jim Torresen | |||
| | BIB | RIDYJX | 48 | ||
| | BIB | Full-Text | 49 | ||
| A Morphological Analysis of Audio-Objects and their Control Methods for 3D Audio | | BIBA | Full-Text | 50 | |
| Justin Mathew; Stephane Huot; Alan Blum | |||
| Evaluating the Perceived Similarity Between Audio-Visual Features Using Corpus-Based Concatenative Synthesis | | BIBA | QPZUBO | 51 | |
| Augoustinos Tsiros | |||
| CollideFx: A Physics-Based Audio Effects Processor | | BIBA | Full-Text | 52 | |
| Chet Gnegy | |||
| VOCAL VIBRATIONS: A Multisensory Experience of the Voice | | BIBA | Full-Text | 53 | |
| Charles Holbrow; Elena Jessop; Rebecca Kleinberger | |||
| Timbre morphing: near real-time hybrid synthesis in a musical installation | | BIBA | Full-Text | 54 | |
| Duncan Williams; Eduardo Miranda | |||
| Acoustic Localisation as an Alternative to Positioning Principles in Applications presented at NIME 2001-2013 | | BIBA | Full-Text | 55 | |
| Dominik Schlienger; Sakari Tervo | |||
| Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments | | BIBA | Full-Text | 56 | |
| Ian Hattwick; Joseph Malloch; Marcelo Wanderley | |||
| Constraining Movement as a Basis for DMI Design and Performance | | BIBA | Full-Text | 57 | |
| Giuseppe Torre; Nicholas Ward | |||
| Dimensionality and Appropriation in Digital Musical Instrument Design | | BIBA | Full-Text | 58 | |
| Victor Zappi; Andrew McPherson | |||
| The Prospects For Eye-Controlled Musical Performance | | BIBA | SENOVK | 59 | |
| Anthony Hornof | |||
| Musical Interface Design: An Experience-oriented Framework | | BIBA | Full-Text | 60 | |
| Fabio Morreale; Antonella De Angeli; Sile O'Modhrain | |||
| Rasper: a Mechatronic Noise-Intoner | | BIBA | Full-Text | 61 | |
| Mo Zareei; Ajay Kapur; Dale A. Carnegie | |||
| The Robotic Taishogoto: A New Plug 'n Play Desktop Performance Instrument | | BIBA | Full-Text | 62 | |
| Jason Long | |||
| Imitation Framework for Percussion | | BIBA | Full-Text | 63 | |
| Ozgur Izmirli; Jake Faris | |||
| Distributed Control in a Mechatronic Musical Instrument | | BIBA | SENVAD | 64 | |
| Michael Gurevich | |||
| Rhythm Apparatus on Overhead | | BIBA | Full-Text | 65 | |
| Christian Faubel | |||
| | BIB | Full-Text | 66 | ||
| | BIB | Full-Text | 67 | ||
| Tangible Scores: Shaping the Inherent Instrument Score | | BIBA | RIBBNF | 68 | |
| Enrique Tomás; Martin Kaltenbrunner | |||
| Striso, a compact expressive instrument based on a new isomorphic note layout | | BIBA | Full-Text | 69 | |
| Piers Titus van der Torren | |||
| SPINE: A TUI Toolkit and Physical Computing Hybrid | | BIBA | Full-Text | 70 | |
| Aristotelis Hadjakos; Simon Waloschek | |||
| Andante: Walking Figures on the Piano Keyboard to Visualize Musical Motion | | BIBA | TAHEVV | 71 | |
| Xiao Xiao; Basheer Tome; Hiroshi Ishii | |||
| Gender, Education, Creativity in Digital Music and Sound Art | | BIBA | Full-Text | Web Page | 72 | |
| Georgina Born; Kyle Devine; Sally-Jane Norman; Mark Taylor | |||
| Moco Panel discussion on Movement and Computing | | BIBA | Full-Text | 73 | |
| Frédéric Bevilacqua; Sarah Fdili Alaoui; Jules Françoise; Philippe Pasquier; Thecla Schiphorst | |||