| 3D scanning and printing as a new medium for creativity in product design | | BIBA | Full-Text | 15-20 | |
| John Stanislav Sadar; Gyungju Chyon | |||
| The significance of form elements: a study of representational content of design sketches | | BIBA | Full-Text | 21-30 | |
| Shahriman Zainal Abidin; Anders Warell; Andre Liem | |||
| Externalisation and design | | BIBA | Full-Text | 31-42 | |
| Alan Dix; Layda Gongora | |||
| Connected sketchbook: linking digital files to physical pages | | BIBA | Full-Text | 43-46 | |
| Josje Wijnen; Elise van den Hoven | |||
| Paper equals screen: a comparison of a pen-based figural creativity test in computerized and paper form | | BIBA | Full-Text | 47-50 | |
| Stanislaw Zabramski; Sarathkumar Neelakannan | |||
| What you see is what you design: exploring the influence of inspiration images in designers' ideation | | BIBA | Full-Text | 53-60 | |
| Pei-Jung Cheng; Ellen Yi-Luen Do | |||
| Examples galleries generated by interactive genetic algorithms | | BIBA | Full-Text | 61-71 | |
| Dimitri Masson; Alexandre Demeure; Gaëlle Calvary | |||
| Capturing and analysing shape creation in design | | BIBA | Full-Text | 73-79 | |
| Gareth Paterson | |||
| The application of learning algorithms in the development of natural interaction | | BIBA | Full-Text | 81-84 | |
| Emilia Barakova; Ruud Mestrom; Willem Willemsen | |||
| Facet lens: local exploration and discovery in globally faceted data sets | | BIBA | Full-Text | 85-88 | |
| Christian Lambeck; Jan Wojdziak; Rainer Groh | |||
| Crafting user experiences by incorporating dramaturgical techniques of storytelling | | BIBA | Full-Text | 91-102 | |
| Berke Atasoy; Jean-Bernard Martens | |||
| Tracing situated effects of innovative design methods: inexperienced designers' practices | | BIBA | Full-Text | 103-113 | |
| Jung-Joo Lee; Kirsikka Vaajakallio; Tuuli Mattelmäki | |||
| On the development of electronic design tools and associated guidelines for supporting the early stages of the design process | | BIBA | Full-Text | 115-126 | |
| Derya Ozcelik; Javier Quevedo-Fernandez; Jos Thalen; Jacques Terken | |||
| Magical Bits: designing through experiencing the future end product | | BIBA | Full-Text | 127-130 | |
| Katja Grufberg; Lars Erik Holmquist | |||
| Reframing connections: an approach to stimulate creativity | | BIBA | Full-Text | 131-134 | |
| Tore Bleuzé; Jan Detand; Patrick Debaets | |||
| Understanding the creative mechanisms of design thinking: an evolutionary approach | | BIBA | Full-Text | 137-147 | |
| Katja Thoring; Roland M. Müller | |||
| Teaching creative design: a challenging field | | BIBA | Full-Text | 149-156 | |
| Hedda Haugen Askland; Anthony Williams; Michael Ostwald | |||
| Investigating exceptional poets to inform an understanding of the relationship between poetry and design | | BIBA | Full-Text | 157-165 | |
| Erin L. Beatty; Linden J. Ball | |||
| Dissecting the creative leap: the inside of creation | | BIBA | Full-Text | 167-170 | |
| JFM. (Hans) d'Achard van Enschut | |||
| Cooperation, curiosity and creativity as virtues in participatory design | | BIBA | Full-Text | 171-174 | |
| Marc Steen | |||
| A theory of skills of software, interaction and graphics designers: contrasting aspects emerging from empirical studies | | BIBA | Full-Text | 177-188 | |
| Marcus Nirbrant; Ebba Thora Hvannberg; Siniia Lindquist | |||
| Endless innovation: the role of industrial design in maintaining the relationship between business & society | | BIBA | Full-Text | 189-192 | |
| Dominika Potuzakova; Nick Sturkenboom; Dirk Snelders | |||
| The design researcher in quandary: the conflicting roles of being both a designer and a design researcher | | BIBA | Full-Text | 193-196 | |
| Maiken Hillerup Fogtmann; Sofie Kinch | |||
| Cyranic contraptions: using personality surrogates to explore ontologically and socially dynamic contexts | | BIBA | Full-Text | 199-210 | |
| Robb Mitchell; Alex Gillespie; Brian O'Neill | |||
| Tiblo: a tangible learning aid for children with dyslexia | | BIBA | Full-Text | 211-220 | |
| Sumit Pandey; Swati Srivastava | |||
| Making sense of "things": developing new practices and methods for using tangible materials in collaborative processes | | BIBA | Full-Text | 221-225 | |
| Trine Heinemann; Stella Boess; Jeanette Landgrebe; Robb Mitchell; Maurice Nevile | |||
| Sharing meaning and physical activity through a tangible interactive lighting object | | BIBA | Full-Text | 227-232 | |
| Júlia Nacsa; Emilia Barakova; Joep Frens | |||
| Interest-based converge process: facilitating negotiation in collaborative design | | BIBA | Full-Text | 233-244 | |
| Susana B. La Luz-Houchin | |||
| On the use of design patterns in collaborative design processes | | BIBA | Full-Text | 245-254 | |
| Claudia Iacob; Ernesto Damiani | |||
| Cultivating collaborative design: design for evolution | | BIBA | Full-Text | 255-266 | |
| Li Zhu | |||
| Locast H2flow: creative learning tool for participatory urbanism | | BIBA | Full-Text | 267-270 | |
| Pelin Arslan; Liselott Brunnberg; Federico Casalegno; Zoe Schladow | |||
| Exploring a digital economy design space in theme parks | | BIBA | Full-Text | 273-284 | |
| Abigail Durrant; Michael Golembewski; David S. Kirk; Steve Benford; Duncan Rowland; Derek McAuley | |||
| Negotiating uncertainty: process, artifact, and discourse in a case study of technologies to address SIDS | | BIBA | Full-Text | 285-296 | |
| Jill Fantauzzacoffin; Juan D. Rogers; Jay David Bolter | |||
| Traditional approaches using new technologies: case studies of printed wallpaper using UV inkjet printing | | BIBA | Full-Text | 297-306 | |
| Carinna Parraman; Sophie Adams-Foster | |||
| Foundations for studying creative design practices | | BIBA | Full-Text | 309-315 | |
| Lassi A. Liikkanen; Miko Laakso; Tua Björklund | |||
| Studying the appearance and effect of creativity within the latter stages of the product development process | | BIBA | Full-Text | 317-328 | |
| Chris Snider; Elies Dekoninck; Steve Culley | |||
| Relational messages in product design | | BIBA | Full-Text | 329-332 | |
| Kathy Pui Ying Lo | |||
| Cueing the past: designing embodied interaction for everyday remembering | | BIBA | Full-Text | 335-345 | |
| Dirk van Erve; Gerrit-Willem Vos; Elise van den Hoven; David Frohlich | |||
| Keynect: tangible social network | | BIBA | Full-Text | 347-350 | |
| Sumit Pandey; Swati Srivastava | |||
| Quality and rules for mechanical aspects of tangible interaction design | | BIBA | Full-Text | 351-354 | |
| M. Broekhuijsen; F. Delbressine; L. Feijs | |||
| i|o cards: a tool to support collaborative design of interactive objects | | BIBA | Full-Text | 357-358 | |
| Gabriela Carneiro; Zhu Li | |||
| Analysis, redesign and evaluation with teasing apart, piecing together | | BIBA | Full-Text | 359-360 | |
| Clare J. Hooper | |||
| Multi sensory design | | BIBA | Full-Text | 361-362 | |
| Hendrik N. J. Schifferstein | |||
| Prototype hacking: succinct physical communication for design and business | | BIBA | Full-Text | 363-364 | |
| David Cranor; Philippa Mothersill | |||
| Integrating laboratory paradigms and ethnographic field studies for advancing analyses of creative processes | | BIBA | Full-Text | 365-366 | |
| Stefan Wiltschnig; Balder Onarheim; Bo T. Christensen; Peter Dalsgaard; Henrik Korsgaard; Linden J. Ball; Joel Chan; Aaron Houssian; Anne-Marie Hebert | |||
| Supporting communication between parents and primary school children with the use of technology | | BIBA | Full-Text | 423-424 | |
| Nela Brown; Tony Stockman | |||
| Research summary: multiple-case study of artists' and engineers' technology development practices | | BIBA | Full-Text | 425-426 | |
| Jill Fantauzzacoffin | |||
| Exploring the body and mind connection via improvisation in the design process | | BIBA | Full-Text | 427-428 | |
| Layda Gongora | |||
| Design language for creating a meaningful interaction design | | BIBA | Full-Text | 429-430 | |
| Yi Ji | |||
| Social aspects of music and interactive technologies in facilitating face-to-face interactions in third places | | BIBA | Full-Text | 431-432 | |
| Mayur Karnik | |||
| Develop and evaluate visual analogies to support insight and creative problem solving | | BIBA | Full-Text | 433-434 | |
| Eric Luchian | |||
| Emotional wellbeing and radiotherapy: a methodological approach to improving the patient experience | | BIBA | Full-Text | 435-436 | |
| Tara Mullaney | |||
| Discovering Madeira: a case study of cultural probes | | BIBA | Full-Text | 439-447 | |
| Jos P. van Leeuwen; Mayur Karnik; Ken Keane | |||